Greetings readers, and welcome to my very first blog! Here I will share with you my opinions, to be accepted or not at your own discretion. This space is, pure and simple, a reflection. In my travels and experiences I have found passion and beauty in art, food, poetry, and uncertainty. I believe exploration has more to do with the thirst to be proven uncertain than the thirst for knowledge, and I hope to illustrate this idea through my blog, while in turn uncovering some sense of enlightenment as a creative. Enjoy!

Tuesday, November 13, 2012

Wink D'alantern in the Shed


When we fell in love
Chicago compressed

with heat on my lips
dry as some red worms

charred hips bricks they oscillate
against this cracked brown curb

you heated me up ts-ah kept me orange
with just a little black

breathing sulfur under my tongue
if only I didn’t have asthma on nights like these

we were under Van Buren
trying to push 2am into the coals

“blow on it baby” and I know
it sounded dirtier coming from me

three is a crowd tonight
beside the elevator all hot blooded

men have forgotten a lighter a dollar
have forgotten their script on the 29 bus

forget rats hares glazed brown and white
drip salt over their little sweater teeth below the street

I know there are a lot of good things to say
about the way shins burn under jeans


but please can we talk
about anything else

the daily reminder of free ice skating
in the park never got out in time

the night we turned the river around
barehanded and bellies out

took a big gulp as we pumped
all our shit into the Mississippi

the begetter
Old Lady Leary

the way we all get singed
when Obama and Oprah decide to come home

I want to take it like it’s mine to ignite
but damn if I just got here

and yet there he is Rahm Emanuel
turned like an angry escalator

he’s indulging all the locals
burning me with a hand underground

still I never really got what time to stop getting off
at Harrison on red

you and me and the sulfury walls of Van Buren
still curling around with good fingers

knuckle-less and no one in the room
knows where they’re coming from

In March is the breathless emerald flood
of everybody who showed up for Flogging Molly

I am not drunk enough
I crumple my legs with the whip-lashed outside

when the gray sky cracks hard and hot
the concrete is crowded by rusty headless legs

they stampede
and I sit inside them

wait for your crooked arms
to strike the Sears tower

I always liked to watch
you sink your teeth into it

you start the garden I am in
irons as the buildings drip with wet clay

finally safe
from the old cow in the barn

drowning is something
bad that can also happen

to us it seems like Van Buren
will just barely be engulfed

If I only stayed there you’d be in me now
like coals slipping into soot

Tuesday, September 18, 2012

The Value of Education


            I am an education enthusiast, but I do not believe that college is for everyone. We as a nation have gradually formed this idea that one cannot contribute to society without a college education. But I would challenge anyone to tell me what exactly a college education is in this day and age. We have generalized it so much that the level of education being provided by most colleges and universities has severely decreased. The focus is more on this idea of the college education than on early education and high school, the foundations of learning.
            Why do we go to college? To acquire the skills needed to exceed in our chosen craft. But how many psychology majors work desk jobs at huge distribution companies? We can blame the job market, but I would bet that a huge number of those college graduates are not half as passionate about psychology as their transcripts indicate. They were told to go to college, so to college they went, accumulating debt as they did. They were told to choose a major, so they did, in order to graduate from that college they were told to attend. What we need are not more college graduates, but more specialists. We need to reacquaint ourselves with vocational learning. Even before that, we need to have motive for higher learning. Society must let go of the necessity to have immediate entrance into college, without any time for breath or meditation. One cannot be expected to know exactly what it is we truly want to study and practice for the rest of our lives after 18 years of simply being told, just as one cannot be expected to spend 40,000 dollars a year figuring it out. Personally, if that kind of dough is going to be tossed on something, it had better be something I’m damn sure of.
            Young people must have the utmost drive and desire to continue their education; otherwise we end up with useless, regurgitated information we find no need to remember, all for a piece of paper which somehow symbolizes our four years of “growth.” It’s time we stopped going to school for a diploma, and considered the real reason secondary education was instated: to be knowledgeable in the fabrics of this world we share, and to put that knowledge to use as we pursue our chosen career. But we cannot force our youth to be constantly hungry for knowledge. By telling them they must learn, and placing them in such facilities without giving them valid reasons beyond “to get a degree” or “to get a good job,” we are inevitably ridding them of their own hungers. It is time to dismantle the assembly line. Call it anarchy; call it whatever you want, but I feel an extreme anxiety hovering over the youth of our world. There are reasons for social norms, I think we like to believe they are the reason we can move together as a people.
The idea of secondary education mustn’t solely include colleges and universities, but all vocational and specified learning facilities. I’d like to see a time when a silly piece of paper from Harvard is equally prestigious as a technical apprenticeship, or four years in the actual field. We are a society obsessed with paper. Diplomas only exist because we believe they do. Money only exists because we believe it does. The entire concept of economy is just that, a concept. These are scraps of paper, not scraps of knowledge. And yet, paper is our motivation, give us more and more of it, and thus, we will be happy.

Sunday, April 22, 2012

For Gaia’s Women of Endless Hills



A dreadful thrill
came up the hill
where you had slept for days.
In patient curls
you simply purred.
You listened so to wait.

Men surrounded
your empty bed,
but in your heart lacked haste.
Our fruit tree blushed
with blood and rust.
As you let out your breasts,

a grateful lull
came up the hill.
All weeping men around
took a pouch from
man’s powdered gun,
and bare feet kissed the ground.


A loosened string
allowed to sing
gives gifts of snow and calm.
And so our tree
ablaze with heat
could open up her palms.

So fell the fruit
on hill, and you.
Your breasts embraced each plum.
The cool hill blued;
all hearts were good.
Man hummed to string’s snow song.




Monday, February 20, 2012

Production, Production....


“Who can know the heart of youth but youth itself?” –Patti Smith

We are all admonished by the hands of Time. They ring their own sharp tune, leaving us to leap at them like silly cats after a closed door. Foolishly we patter off to our food, or to the warmth of our fireplace, thinking soon enough the door will be opened by Master Time. It’s all a bit of luck, as they say. Now I am young, now strong willed, I haven’t had the door pressing on my nose long, nor the migraine of Time’s pandering hands. I indulge in these silly adventures, and for what? To write something meaningful? To ponder time as if I am a wise old lark? I don’t really have the right... Not yet. I’m not supposed to know anything now, as time tells us. Ignorant youth, we don’t know anything at all.

And even now, I have this middle-aged British voice in my head that isn’t my own. That or some prolific 20th century poet. A Patti, a Sylvia, an old Brit. It isn’t as if I haven’t a voice, but its swimming in this unfathomable lagoon of literary thought. Mucky as my brain tissue itself. Philosophies have all been worn out, so where does that leave us? The talented youth of the new millennium.

But still I sit here and try to write my poetry, my philosophy, my “non-fiction,” my inspiration. Because in the end it’s all I have ever wanted. I have to wonder, is it too late? Can the world change any more than it already has because of me? Such a complicated mind in a simple life, I like to tell myself, oh wondrous me... But Patti and Robert give me hope, raised in suburbia, changing the course of their future. Still, they faced such hardships straight off the bat and that pushed them, but what do I have to grasp? And are all artists meant to know great pain before they can be called great themselves? What can I relate to the world with my words? Shall I write about food like I always wished, wistfully narrating the sounds and the smells of kitchens around the world? For what? To show what? To share what with this earth?


Anyone can read about morality, about change, about art, about politics, about food and culture and thought and creation. I can’t think of a single thing the world doesn’t have enough of at their literary fingertips. I suppose it must be all about invention. Well I don’t think I’ve thought of anything new before anyone else yet…

Maybe it’s the mundane that’s the key. “Mundane Living, a novel by Rachael Alexandria Meyers.” “Seeking Adventure in a World Pre-Created and Pre-Analyzed by Great Old Literary Geniuses.” Mine is a biography no one yet wants to read. I’ve got to do something great first. I’ve got to make some great statement, some great act, some silly kind of thing that’ll fame me and make people want to read about me. It’s the way these days. Writing can’t make you famous; it’s the fame that makes you a writer worth writing about. Now I’ll abandon this silly thing. Because, as Paul Valéry so wisely put it, “Poets don’t finish poems, they abandon them.”

Sunday, November 27, 2011

Things we Consume

Olive oil pours slowly to thin on a hot pan. Two thick slices of sourdough bathe just on top, a layer of pesto spread generously and a couple of ruby-fresh tomatoes on the first slice. Leftover turkey breast moist enough to wet your fingertips, cold cut. Soft mozzarella stretches over the corners of the crust. Chunky tomato sauce ladled over top and tucked in by the second hunk of sourdough. The first bite forces open your jaws and reminds you to take care of your teeth – thicker crust is a spectacular challenge.

We take for granted the things we put in our mouths. Holed up in our rooms we young people chomp on Captain Crunch and other stale cereals and drink too much coffee. It’s a generation of split focus. We love too much coffee, hate too much sleep. There are just so many other things on our minds.

It’s been years since I last tasted an artichoke. It drowns in the colander for 30 minutes. Dipped in hot butter, the yellowish leaves feel sour on your tongue. Artichokes are an excellent source of magnesium, fiber, and vitamin C. One works very hard to scrape the meager amount of meat from the base. My mother always prefers the heart – I prefer the satisfaction of my hard-working teeth cleaning off the leaves.

My dad had just migrated from Cambridge to Watertown when I was about eight, a nice basement apartment. Shuttled there each Friday night, we began our weekly traditions. On Tuesdays my brother and I would each choose a dish and, upon arrival at week’s end, the ingredients would greet us on the counter top. There were some failures: cream of broccoli soup, more comparable to hot broccoli milk. But sometimes we made roast duck, thick breaded meatballs, chicken broccoli Alfredo over fettuccini, homemade pasta sauce right down to plopping the boiled tomatoes in the ice water. At ten o’clock, instead of being tucked into bed with our teddy bears and our goodnight stories and our lullabies, dad would turn off the Dukes of Stratosphere or Depeche Mode and turn on Iron Chef. There in full color was Chairman Kaga, smiling maniacally as he devoured a bite of raw bell pepper and took his sweet time revealing the secret ingredient to the iron chef and his challenger.

I don’t eat much meat at college. It costs more than I earn and the cafeteria meat makes me feel a great despair for the animals. Their lives were spent to feed us, and all they were given to taste were hormones and chemically treated feed. Vegetarianism has no place in my life, but neither does grade D meat. Is that pretentious? Because it seems good health has become incredibly pretentious.

With winter, so too comes the difficulty to rise with brittle bones and a stiff head – products of seasonal affective disorder. But the morning begins with the coffee maker, of course. No addict can look directly into the eyes of any person or appliance until they at least have the sensual proof of coffee being brewed. So we scrub up, flop the filter into the compost, rinse off our hands and the crust at the bottom of the pot, shy our ears away from the screaming grinder, and revel at the rustle and clink of the grounds settling and the pot slapped in place. Then we sit, we wait, and we watch each tentative drop. Being addicted to coffee is really more about the wait.

Becky Colpitts raises lambs. She lets my friends feed them bottles, and chase them drunkenly through her fields. Then for winter solstice she cooks us stews and sour meatballs and whole shanks and rumps and burgers. She glazes and marinades and watches the oven like a mother giving her child to the world. She leans over the stove and inhales its steam and its aroma. She cares for her lambs up until the moment they enter our bellies, and because they love her, our bellies care for them too.

A few weeks after I turned 18, the warmth of April was just beginning. I spent a long sunny day wandering around Burlington, an escape from the isolation of my own Vermont mountain town. I had an appointment scheduled for half past noon at Yankee Tattoo. All morning had been spent discussing and sketching. The decision finally rested on fried eggs and bacon just about to land on a cast iron skillet, forever cooking on the nape of my neck.

Red quinoa with green onions and carrots and eggs. Salt & pepper. Cabot cheddar grated on top while the pot is still softly cooking. With one bowl I’ve avoided a cheese burger coated in mayonnaise and deep fried potato wedges. (That said: a good patty melt is nearly always irresistible.) Instead, there is a great war in my stomach – the good minerals battling the bad. Textures collide heavenly behind my lips: crunchy carrots and salty cheese and soft fluffy grains. When ready to eat, the quinoa looks like mulberries pummeled in the palm of my hand.

There was the calm temperature, the free feel of the sidewalks, the friendliness of the Schizophrenics, and the dull stillness of an ocean, almost like a warm Boston. Cowgirl Creamery sat just off the San Francisco Bay in Ferry Plaza. Women walked in to smell and taste and flirt with handsome cheese makers. Inside smelled like salt water and warm bread, and of course the heavy melody of cheeses bundled on top of one other; creamy whites and oranges overlapped in a blurry pattern. Brown barrels with rusty nails held the big wheels that the counter couldn’t burden. One of my current boyfriend’s seven siblings worked there, and I was shaking with nerves but determined to meet him. It’s quite easy to spot a Darling, their noses brim over their faces like humble reminders that their entire family is far superior in talent and charisma. There was a brief adjunct introduction between him my mother and me, and then, very swiftly, Simon was throwing cheeses at us to taste. He was incredibly thorough in answering our many questions and explaining every root of the cheeses’ birth: from northern California to France and back to Vermont. I was entirely perplexed by him, learning and tasting and watching Simon run about, but exceedingly apprehensive as to how much all this fancy cheese would cost.
            My taste buds lollopped with the creamy combinations. Simon instructed us to head next door and buy bread while he “put together our dinner.” Firmly holding a baguette and a sourdough loaf, my mother lead us back to the creamery where Simon awaited us with a smile and two white paper bags heaping with treats. I exited the ferry building with our loot and a great bamboozled sort of feeling. He’d given us sweet chutney and green olives, mascarpone, brie and feta, two soft cheeses we’d never heard of, and one delightfully stinky and stiff – the kind that hurts your knuckles to slice. Aside from the warm, fresh bread, it had cost us merely a friendly face.

As transitioning adults, my dear mother still fills our stockings. They are the only thing she can afford to fill to the brim with “stuff,” and she beams through the process. Last Christmas, squishing the chapsticks and the thumb lights and candy was a bottle of Chianti. Beside it was a Whole Foods gift certificate for my days back in school. And suffocating on the floor of the cheap fabric was a fresh Clementine. I hugged her for these forgotten essentials and I saved that Chianti as long as I could. The gift certificate I spent right away.

Gruyère, parmesan and cheddar melted delicately into a milky béchamel, simmering and thickening around the wires of a whisk. I always remove it and replace it with a fat wooden spoon before the sauce is finished, so I can sneakily lick off all the cheese in the privacy of my kitchen. The cream is gratefully poured over the pasta in its cold casserole, topped with crispy buttered bread crumbs and a layer of crimson tomato slices then placed in the oven to familiarize. The red juices of the tomato slide down the layers of bread and cheese. It looks beautiful, the enthusiasm of the tomatoes readily seated on their golden divan. In every bite I taste my process – always worth bending over the stove for an hour. My crunched knees relax in a chair and friends stuff their mouths, their satisfaction comforting me. But I chew slowly and carefully and let each flavor sit on my tongue for a while, tasting the moments of their watery eyes and chomping jaws.